9.23.2006

A Negro Flyboy?

No, I haven't seen Flyboys. Frankly, I can wait for the DVD. (Which is wait of what, four months?) The preview doesn't really thrill me, though Emmett says the film is pretty good. I just can't get to worked up.

Besides, thought I, there's this black guy and who is going to believe that a black guy is a fighter pilot in WW1.

Oops!

Eugene Bullard (9 October 189512 October 1961) was the first African American military pilot.

He flew for the French in WW1. Complete Wikipedia entry here. The black character in Flyboys appears to be derived from Eugene's story; the character is named Eugene Skinner.

What a fascinating story. There's a book from 1972, The Black Swallow of Death. I think I'll have to hunt up a copy.

Damn, why isn't this man's biography a movie already?

9.21.2006

And they eat their young, too!

And here I was, thinking that was just a truck that San Francisco meter maids did. Naw, moonbat idiotarians are just as rabid.

Click here for LGF link, and from there you can read the insanity.

Oh, heaven forfend, liberals say a nice word on behalf of the US and Bush and the office of the President. Eee and gads. Admitedly it's a bit of a shock hearing any nice words from Rangel and Pelosi, but the response of the Kids et al is stunning.

Oh, and riotously funny to anyone higher up the evolutionary ladder than a demented bee.

9.18.2006

CNN, clueless revisionists of history

OMG, when I read this, I almost fell out of my chair:

The pope's speech in Germany last week -- in which he appeared to endorse a Christian view, contested by most Muslims, that early Muslims spread their religion by violence -- has sparked protests around the world.

Emphasis mine, because it's not a "Christian view", its historic fact. Islam came into being during the 700's and within three centuries had swept most of northern Africa, mostly by conquest and imposition. Eventually they invaded Spain and Italy.

From Wikipedia on Islam:

Secular historians place Islam's beginnings during the late 7th century in Arabia. Under the leadership of Muhammad and his successors, Islam rapidly spread by religious conversion and military conquest.

Hello, Earth calling CNN, because what in the hell do you think triggered the first Crusade? Hello, it was because Muslims kicked the Christians out and they wanted back in!

For a short-hand edition of why CNN is -- at best -- insane re this issue, read FAQ - Islam Edition.

(HT: LGF and this entry for the original CNN link, though he makes a different point.)

9.16.2006

Is iTunes 7 the work of Satan?

Well, no, but it's buggier than v6. I don't even own an iPod, yet I've got iTunes as my music manager...in anticipation of getting and iPod (cough). So I dutifully "upgraded" to v7.

(Cough.)

99% of the time all is well. The playback is better...most of the time. But every now and again, the sound starts crackling and fluttering and sounding like exquisitely tuned crap. Apparently this is happening to a lot of people, whether they're running Windows or Mac OS. For me, the solution is easy.

I pause, count to "one", then resume playback. Voila. Annoying, but not lethal.

Nonetheless, I can hardly wait for the coming-soon update, patch, fix, etc.

And people say that Apple walks on water.... Ha!

LMAO!

At last, truth in advertising...

 

DVD: Find Me Guilty

Love it. Read about it here, buy it here. Or wherever.

I want Vin Diesel to get an Oscar, or at least a nomination. I've like him ever since you could barely recognize his voice. And he was perfect as both Caparzo and Riddick. Here, he is almost completely out of his element; he only gets in one on-screen fight. And he loses!

For me, Diesel makes the film. Sidney Lumet has done better, he's even done staggeringly great. He's also done much worse. His direction here is average and quiet, which is a good thing since it puts Diesel front and center.

Bullet-point synopsis: During the longest Mafia trial in history, Vin Diesel plays a lower-echelon thug who defends himself at trial.

There, that's it, that's the plot. And Diesel does a great job, better than you would imagine him doing with a talking role. Go get it, watch it, kick back and have a good time. One of the few times I didn't mind cheering for thugs!

9.11.2006

Among the reasons I like Christopher Hitchens...

...is that he's a left-learning atheist who is honest. Others of that combo (see anything posted by the Kossacks) aren't. It's one of the reasons I admire Paul Greengrass, who made the remarkable United 93; his politics are suppressed to create an amazing drama. His art is, for wont of a better word, pure.

And so I feel the same when I read...

One must have a blunt answer to the banal chat-show and op-ed question: What have we learned? (The answer ought not to be that we have learned how to bully and harass citizens who try to take shampoo on flights on which they have lawfully booked passage. Yet incompetent collective punishment of the innocent, and absurd color-coding of the "threat level," is the way in which most Americans actually experience the "war on terror.") Anyone who lost their "innocence" on September 11 was too naïve by far, or too stupid to begin with. On that day, we learned what we ought to have known already, which is that clerical fanaticism means to fight a war which can only have one victor. Afghans, Kurds, Kashmiris, Timorese and many others could have told us this from experience, and for nothing (and did warn us, especially in the person of Ahmad Shah Massoud, leader of Afghanistan's Northern Alliance). Does anyone suppose that an ideology that slaughters and enslaves them will ever be amenable to "us"? The first duty, therefore, is one of solidarity with bin-Ladenism's other victims and targets, from India to Kurdistan.

I celebrate when Iraqis vote. I celebrate their courage in the face of death, something I've only faced from a distance. I agree whole-heartedly with Hitchens re the others in the world who, before and since 9/11/2001, have suffered at the hands of fanatics. It's not a mystery to me why eastern European countries tend to side with us in our war against Islamic terrorism; they've too recently had a taste of fanatical dictators.

These are the lessons of 9/11/2001. Always have been, always will be. There is an implacable foe of liberty lose on the world, and "bin-Ladenism" is an excellent term for it. The free world should wake up and destroy it before it wakes up and finds it's far, far too late.

What I said five years ago...

(Originally Posted December 11, 2001)

"You monster. You beast.
You unspeakable bastard."

Everyone has an opinion about September 11, 2001. Everyone is pitching their two cents worth. So why not me? Not that I am any great statesman or spokesman or a "mover and shaker." However, it has all reached a boil now, and I thought I might as well spell out a few things from my point of view.

Let me begin with that morning and how it appeared to me. My alarm had gone off just shortly before six in the morning (Pacific coast time). OOMA [object of my affection], who had been up since 5:30, said that the World Trade Center was on fire. She went back to drying her hair.

Sure, thought I. I sat up in bed, looked at the TV, and sure enough, one of the towers is blazing away.

The "expert" guest commentator on the Fox News Channel was a dodo. He prattled on, saying we can't assume this was deliberate action, that there's a great deal of air traffic in the area, that the sun was low, could be blinding, pilot could have gotten lost, might be an accident, could be--

Blam! Huge fireball rises up into the screen. Cameraman pulls back from the tight shot he had been holding on the burning tower. Debris exploding out from the second tower, obviously a huge explosion, someone exclaiming that a second plane has hit the second tower. Quickly surf to CNN. Their camera had much the same angle/shot, but had been holding back, less zoom, more building. They replayed what had happened just moments before, showing a jetliner zooming in from the right, disappearing behind the burning tower, huge explosion showing where it ended up.

Accident, my ass.

In the hour that followed, I listened to the radio. A third airliner hit the Pentagon. A fourth had gone somewhere in rural Pennsylvania. All civilian aircraft grounded. The towers fell....

I'm sorry, but as I looked at those two buildings burning I thought, "What genius, what audacity." As horrific as it was (is!), what happened was a natural extension of terrorist actions throughout the world. Suicide bombers are now commonplace. It wasn't a huge leap to imagine suicide pilots. Tom Clancey built the climax of a novel (Debt of Honor) around the notion. The sheer brilliance of the execution was something to behold. Objectively, I couldn't help but admire what had been done, in much the same way as historians admire how well the Japanese attack on Pearl Harbor went.

Subjective evaluation is another animal. Leonard Pitts, Jr., writing in the Miami Herald for September 12, 2001, said it short and sweet: "You monster. You beast. You unspeakable bastard."

Pitts also gave a foretaste of what was coming.

It occurs to me that maybe you just wanted us to know the depths of your hatred. If that's the case, consider the message received. And take this message in exchange: You don't know my people. You don't know what we're capable of. You don't know what you just started.

But you're about to learn.

Now it's December 2001, some three months later. We have bombed Afghanistan up and out of the stone age, and toppled one of the most repressive regimes on earth. A coalition of interests from within Afghanistan has come to an agreement regarding a replacement, interim government. Osama bin Laden, the man we hold responsible for WTC 9/11/01 as well as other acts of terrorism, remains on the run, his al-Qaida terrorist network falling apart. The only cloud on the horizon sits over Israel, where Palestinian terrorists have triggered a series of suicide attacks that will in all likelihood do little more than toss Yasir Arafat from power, if not into a grave.

Yet as I drive to work this morning, I hear an NPR commentator saying that the large-scale bombing of Afghanistan will accomplish nothing, that we must bring the accused to stand before the world court, to espouse the rule of law, to settle the Palestinian issue, etc.

In short, she apparently doesn't realize that our actions in Afghanistan are working. We're winning. Certainly, this is just a first, tiny step. But it's amazing the number of people who can't recognize success. Or, more accurately, will never accept Bush as president, or that anything he does is proper and correct.

People are literally dancing in the street in Afghanistan. More and more information reveals that a large percentage, perhaps the majority, of the Taliban were from foreign nations. In effect, foreigners took over Afghanistan, declared their notion of Islam as the one, true way, and supported a world terrorist who felt likewise. Indeed, there is evidence that shows Osama bin Laden's al-Qaida network was so intertwined with the Taliban rulers of Afghanistan as to be indistinguishable and inseparable. It was inevitable that an assault of al-Qaida would topple the Taliban, to the joy of the citizens of Afghanistan.

We did not attack Afghanistan; we went after a terrorist network. We did so in response to September 11, 2001, but it's about time!

Now, let me tell you what worries me. There is this great, crushing rush to erase a basic freedom we accept as normal and natural in the United States. That freedom? The freedom of movement, of being able to go where you will, whenever you want. When I attended the police academy, I was taught of a landmark Supreme Court case that came out of San Diego. There was this black gentleman of the dreadlocks persuasion who had a habit of late night walks. And he took them wherever he wanted, including the upper class neighborhoods of San Diego. Surprise, the police confronted him, demanded his identification, and pretty much tried to shake him down.

He refused to show any ID, stating (correctly) that he hadn't done anything wrong, wasn't doing anything wrong, and that the police had no right to confront him so. He was arrested on the spot. To no one's great surprise, the case ended up before the United States Supreme Court, who overthrew the man's conviction, and ruled that police cannot just randomly stop people, demand ID, and insist that the person explain themselves. There has to be this tiny little thing known as "probable cause."

Yet here we are, years later, perfectly willing to accept just this sort of police conduct.

They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety.
-- Benjamin Franklin

Larry Ellison, president and CEO of Oracle, says it's time for a national ID card. No, sorry, he didn't say that, he said he believes that there should be a national standard for identification cards. That was his corrective statement after a television interview showed him saying, "We need a national ID card with our photograph and thumbprint digitized and embedding in the ID card." In response to privacy objections, he added, "[T]his privacy you're concerned about is largely an illusion. All you have to give up is your illusions, not any of your privacy." Not to be outdone, Scott McNealy, CEO of Sun Microsystems, piped in with the comment, "You already have zero privacy. Get over it."

Nice, when two leaders in the technology industry, a predominantly liberal area of the economy, call for such a repressive measure.

I am not willing to surrender one iota of my liberty, and am not about to call on someone else to give up a trace of theirs. Please, let us face up to a basic, real fact: You are never safe! Just as crime is a function of society, risk is a function of an open society. The more open, the more free, a country and society, the more open to attack it is. Only by altering the fundamental nature of our country can this be changed.

And surprise, the creatures who staged the attacks of September 11, 2001, are the ones who want to alter the fundamental nature of our country! They don't like us just for being the way we are. Excepting our total conversion to a Taliban-like flavor of Islam (or whatever belief system--secular or otherwise--that they adhere to), there is nothing we are going to do that will change that. We could withdraw completely from the Middle East, taking Israel with us, and they'd still hate us, attack us, want to see us dead and buried. We are declared again and again as the Great Satan of the planet. There is no way, if that is the true belief, that they can stand to see us survive.

We have Federalized airport security personnel for ghu knows what reason. Please, explain this to me. On September 11, 2001, four airliners were hijacked. There is nothing to show that a single hijacker smuggled an illegal weapon on board. To the contrary, we are told again and again that their weapons were small and legal, pockets knives and box cutters. On that day, and until very recently, it was perfectly legal for passengers to carry such items onto the aircraft. Airport security personnel did their job, they did not fail.

On the other hand, a number of the identified hijackers were on the terrorist watch list. Immigration personnel who checked their passports as they came into this country let them pass. Aren't immigration personnel Federal employees?

So, if I understand this correctly we want to fire the people who did their job and did nothing wrong, while we "look into" how these terrorists got into the country in the first place. Ah, of course.

P. J. O'Rourke, in an article for the November 2001 issue of The Atlantic Monthly, remarks on how in Israel ordinary life has conquered terrorism. (When last checked, you could find the article here, but you may have to search the site in case it moves.) Anything O'Rourke writes is entertaining, and this is no exception. The closing paragraphs are priceless.

"This country is hopeless," Dave said, pouring a Palestinian Taybeh beer to complement a number of Israeli Maccabee beers we'd had earlier in West Jerusalem. "And as hopeless placed go, it's not bad." We discussed another Israel question. Why are Israeli girls so fetching in their army uniforms, whereas the women in the U.S. military are less so? It may have something to do with carrying guns all the time. But Freud was a lukewarm Zionist, and let's not think about it.

After the first Zionist Congress, in 1897, the rabbis of Vienna sent a delegation to Palestine on a fact-finding mission. The delegation cabled Vienna saying, "The bride is beautiful, but she is married to another man." However, the twentieth century, with all its Freudianism, was about to dawn, and we know what having the beautiful bride married to another man means in a modern story line. No fair using amnesia as a device for tidy plot resolution.

"Do we have to choose sides?" Dave said. But it's like dating sisters. Better to make a decision and head for the Global Village limits. And speaking of sisters, I opened the Jerusalem Post on Easter morning and discovered that my sister's neighborhood in Cincinnati was under curfew, overrun with race riots.

O'Rourke made his trip to Israel earlier in the year, and he wrote the article before September 11. The events of September 11, 2001, require an American response, which is now in progress, and will be on-going for years to come. It is, in a sense, a new holy war, and if we remain focused it will spread a message of freedom, rather than an oppressive religious dogma.

As we demonstrate to the world that a free people are a terrible thing when aroused in anger, we must not forget our own lesson of freedom. We should not merrily surrender our liberties for an illusion of safety, no matter how tempting that may be. And for that, I give you the words of the fictitious Henry Drummond, as delivered by Spencer Tracy:

I say that you cannot administer a wicked law impartially. You can only destroy, you can only punish. And I warn you that a wicked law, like cholera, destroys everyone it touches, its upholders as well as its defiers. Can't you understand that if you take a law like evolution and you make it a crime to teach it in the public schools, tomorrow you can make it a crime to teach it in the private schools. And tomorrow you may make it a crime to read about it. And soon you may ban books and newspapers. And then you may turn Catholic against Protestant, and Protestant against Protestant, and try and foist your own religion on the mind of man. If you can do one you can do the other, because fanaticism and ignorance is forever busy and needs feeding. And soon, your honor, with banners flying and with drums beating we'll be marching backward, backward through the glorious ages of that 16th century when bigots burned a man who dared bring enlightenment and intelligence to the human mind.

Bear this in mind any time someone says changing an existing law or adding a new law is "for your own good, your safety."

2006 Update:

Most of the above I still agree with. However, over the last five years a few things have changed, mostly my knowledge and experience. I've a few years of law school under my belt and understand that much more of the US legal system. For instance, in late 2001 I would have said that The USA Patriot Act was a horror. Today I understand that 90+% of the Act simply allows Federal law enforcement to use against terrorists the same tools they've already been using against organized crime and drug dealers. Further, those restrictions aren't Constitutionally based. They come, rather, from the Legislature reacting in horror at the abuses of the Nixon administration. That is, they are the result of a power grab, the Legislative taking from the Executive.

While Drummond's words should be stamped on the hallways of every law school in the country, a quiet review of the dire warnings made by the loyal opposition in 2001 reveal...they aren't very good at making dire warnings.

There is also a continued failure to recognize the enemy for what he is, an ideology bent on the destruction of personal freedom. No, I'm not talking about Bush, and if that was your first thought then yes, I'm talking to you, and you need to get a clue. Osama and his ilk don't want to make nice, they want to convert you at gunpoint or kill you. They don't have a preference.

I opt for Door #3, which is to convert them, either to change their ways or end their ways. And between those two choices, I don't have a preference.

9.09.2006

Some biased reviews of "The Path to 9/11"

From that staunch supporter of the right, the New York Times:

The terrorists are ruthless and implacable. Some foreign informants and obscure civil servants turn out to be inspiringly tough-minded and smart: low profiles in courage. But “The Path to 9/11” is an unsparing, and at times hyperbolic, portrait of bureaucratic turf wars, buck passing and complacency. Senior managers at the F.B.I. and C.I.A. are overwhelmed and quicker to protect their own hides than national security. It’s always the enemy within that nettles the most.

From the Detroit Free Press, that bastion of conservatism:

But "The Path to 9/11" -- airing at 8-11 p.m. Sunday and 8-10 p.m. Monday on ABC -- intently avoids any shallow shock value sensationalism to dissect the roots of an almost unfathomable national catastrophe. And it does so with a fair amount of understated intelligence, while utilizing an often absorbing, richly detailed procedural style. On a simple quality drama level, it's the best network miniseries in several years.

Methinks that those who doth protest approximately six (6) minutes of a five (5) hour miniseries doth protest too much. And as I understand it from the reviews and comments, the film isn't exactly complimentary about Bush & Co., especially Condoleezza Rice. But the idiotarians don't complain about that, no, that would be too...consistent of them. Would evince some, er, integrity.

9.07.2006

Rally 'round, all ye defenders of free speech!

I am talking, of course, about The Path to 9/11. Is it free speech, and the artist can produce whatever he/she wants, or are you going to side with the Democrats, or, more precisely, "former members of the Clinton administration"?

"The content of this drama is factually and incontrovertibly inaccurate and ABC has a duty to fully correct all errors or pull the drama entirely. It is unconscionable to mislead the American public about one of the most horrendous tragedies our country has ever known," [Clinton Foundation head Bruce] Lindsey and [Clinton advisor Douglas] Band wrote in their letter.

And...

"I haven't seen it, but from everything I've heard it's not down the middle. It's not fair at all. And to have a film that seems to be biased and take one side put on by a network seems to be the wrong thing to do," said [Senator Charles] Schumer [D-NY]. "You can't take a film that's supposed to report on something that's so real and so close and make it into fiction. That's beneath ABC's dignity."

That one of the former Clintonistas complaining is Sandy "How Did This Get In My Pants" Berger is just delicious. This must be farce, these people cannot be serious.

ABC and Disney are explicit in saying this is a fictionalized version of events, using all the standard tools of fiction (e.g., compression, combining characters, etc.). Where are the those left-wing, stalwart defenders of the First Amendment? Where's Larry Flint, et al?

Hark, I hear...crickets!

In contrast, let us not forget Mikey Moore's fabrication, that "documentary" known as Fahrenheit 9/11. All these clowns would have better legs to stand on if they had objected with equal vehemence -- including an attempt to shut down and censor -- to Moore's crap-piece.

But to give Moore his due, if asked he'd probably say, "Go ahead, air it. They can make what they want. Free speech, baby!" There, I've finally said something nice about Michael Moore. I shall not make it a habit!

But not to worry, all you idiotarians out there, ABC may have caved already:

The network has in recent days made changes to the film, set to air Sunday and Monday, after leading political figures, many of them Democrats, complained about bias and alleged inaccuracies. Meanwhile, a left-wing organization has launched a letter-writing campaign urging the network to "correct" or dump the miniseries, while conservative blogs have launched a vigorous defense.

Do love the bit that "many" of the complainers are Democrats, that the organization is "left-wing", and "conservative blogs" have defended the film.

If truly believe in free speech, then Democrats and "left-wing" groups should be engaging in what is known in gaming circles as "stfu". And thus, conservatives would -- and should -- follow suit.

For the record, I don't give a crap what sort of crap you write, film, draw, say, etc. Just don't object if I respond or make a counter-argument. Doing so is not censorship, Dixie Chicks. Attempting to block a broadcast, on the other hand, is.

Update: A FAQ that says it all. Still LMAO at this crowd. And still amazed at the number of people who Truly Believe that all the run-up to 9/11/2001 started shortly after Innaguration Day, January, 2001. The wilfull ignorance is staggering.

9.05.2006

United 93 on DVD

Have you bought your copy yet?

United 93 is easily one of the best movies I've seen in a great many years. No, I am not overstating the case. It's excellent on all counts. Paul Greengrass hits one out of the ball park by suppressing his own political leanings (leftward, or so I have heard) and simply tells the story. I was impressed with what he did with the Bourne Supremacy, making a sequel that, in many ways, exceeds the original. And his Bloody Sunday is on a par with United 93; indeed, if I were Irish I might say it was better.

But I'm not. I'm an American and while I deeply honor the men and women who died in the World Trade Center, and I humbly respect and praise the firemen and policemen and others who died charging into those doomed towers, I am in awe of the passengers on United Airlines Flight 93. And Greengrass does 'em proud.

It's sort of what I was getting at with my bit on the Battle of Thermopylae. There you had a bunch of Spartans ready to die, but the real heroes of the moment were the Thespaians, true citizen-soldiers, not trained from childhood to fight and die, yet stand with the Spartans and fight and die they did.

On UA93, that's what 40 people did. The policemen and firemen who charged into the Trade Center towers faced life and death every day. Certainly they were heroes, but they were already heroes, just for doing the job. On UA93, it was the common citizen who stood up, looked evil in the eye, and said, "You go to hell!"

So maybe the passengers never made into onto the flight deck. Doesn't matter. They still stopped those bastards from using a fourth airliner as a guided missile, to destroy heaven knows what. God bless 'em.

I saw this film with my daughter when it was first at the theatre. Afterwards, we didn't talk much. She went out and got a "UA93" tattoo. She doesn't ever want to forget the sacrifice those people made.

Neither do I.

That easily colors my opinion of the film, but I think it stands on its own merits. Using little known actors and a great many people who were actually involved, Greengrass does a clear recreation of the horror that is and remains 9/11/2001. As said, he doesn't try and paint one patriotic picture or another, he just lets a powerful story unfold on the screen. By the last frame, you're left speechless. I can't think of a miscue in the entire film.

I've got my DVD but I'm rather afraid to watch it alone. It's a powerful experience, especially at the end. It demands to be a shared experience, because what happened that day was, indeed, shared by the world.

So, like I asked: Have you bought your copy yet?

9.04.2006

Can Time get anything right?

Even writing a complementary article, Time can't get it right...

The Orion spacecraft, by contrast, is based on proven Apollo technology. It’s configured like a large Apollo: a conical crew compartment atop a cylindrical engine module. It will sit atop heavy-lift boosters that are modeled in part after the shuttle’s own liquid-fuel engines — far and away the best part of the old shuttle technology and the part most worth saving.

Only, that's not quite right.

The crew lift vehicle (Ares I) will use as its first stage a solid rocket booster (SRB) based on the shuttle design. So, unlike what Time implies, humans will still be riding up toward the stars on solid rockets (at least for the first stage).

Also, the heavy lift vehicle (Ares V) will not use the space shuttle main engine (SSME). Rather, it will use the RS-68 from the Delta V (and it's based on a Russian design at that). And the Ares V first stage will be assisted by two SRBs.

Read all about it here. It was all announced a couple of months ago, so no excuse for an article dated Septemer 1, 2006.

Still, otherwise, nice article.

Crocodile Hunter, R.I.P.

I'm not going to pretend I'm shedding tears. Nonetheless:

Steve Irwin, the hugely popular Australian television personality and environmentalist known as the "Crocodile Hunter," was killed Monday by a stingray during a diving expedition, Australian media said. He was 44.

Target of much satire, he obviously had a fire for what he did and how he went about doing it. Crazy or not, at least he walked as he talked. And such a way to go. Would have expect a croc to finally gnaw his ass. I wonder what kind of ray it was. Maybe it wasn't. Maybe a jelly got him.

Christian rock as a threat?

I'm not sure what Peter Suderman's point is here at Alarm-Alarm, but the line he cites from a Pitchfork short track review is pretty straight forward:

Why is Christian Rock the new punk rock? Because those bands care about what they're selling-- care a lot-- and they make a culture out of it: a weird, fucked, mortal-enemy-to-what-we-hold-dear culture, but there it is.

To which Peter comments:

If pop culture art with Christian ideas succeeds, it may well be because of what Baron is describing.

Well, yes, because of that passion. Too many performers today seem more caught up in themselves than in their craft. And I said "craft" because it's not "art". (What is art? In the eye of the beholder. In other words, I know it when I see/hear/smell/taste/touch it.)

Lately I've taken to listening to a variety of what I suppose is called "Christian rock". Certainly Lincoln Brewster is right there, singing songs of straight-forward praise and redemption.

But where do you put BarlowGirl? Oh, certainly they're driven by their faith; they make no bones about what they believe. Yet their songs are often wrought with the same angst that drove much of the punk rock I've listened to. Listen to a song like Porcelain Heart which is almost entirely about the pain of a broken heart.

Someone said, "A broken heart
would sting at first then make you stronger."
You wonder why this pain remains.
Were hearts made whole just to break?

That's damn-near bitter bitch money cynical. The positive spin they put on it is a cry to the Creator, the only one who can make a broken heart whole again.

Anyway, I stray, because Peter's point is well taken. Passion and belief in the message you're delivering goes a long way in any industry, in any endeavor. Much of modern rock has lost both, while those performers casually dismissed as "Christian rock" have both. And in spades.

I'm just wondering what "threat" Pitchfork's Zach Baron perceives.

9.03.2006

About that "Steven Spielberg ending" comment

All right, when I wrote about the film V for Vendetta, I said the "happy ending" was an ending Steven Spielberg would have been proud of. Is there someone out there who doesn't get it? I can think of precisely one film that Spielberg didn't slap some sort of "and they all lived happily ever after" ending onto, and that was Munich (which sucked in its own right and for other reasons).

Most of his films righteously have happy endings. Kill the shark, absolutely. Hero wins the day, without a doubt. Some poor schmuck prevails over homicidal big rig, yea!

But as I recall, his first theatrical film didn't have all that happy an ending. Indeed, I think the protaganist gets his ass shot off and dies. Which was proper, since that was based on a real story and that's really what happened.

And does Close Encounters of the Third Kind really have a "happy" ending? Our hero goes off with the aliens, and the music swells to happiness, but he's just abandoned his wife and kids and left 'em in the lurch. Even Spielberg has reputedly said, now having kids of his own, that he never could have made CE3K today, at least not with that ending.

But look at AI. The film reaches what feels like a natural ending, with the little boy robot lying at the bottom of the sea...forever. You're sad, but it all feels organic, as if to say, "Well, of course, how else could this end?" But no, bam, sea freezes, millenia go by, and aliens come and rescue him for a happy, if brief, reunion with his mother. I grant you that this almost works, but it needs a voice over narration to fill in all the blanks. Worst happy ending slapped on a gloomy film since the original Blade Runner (may that narration and its writer rot in hell...forever!).

The absolute worst offender, however, is Minority Report. I know that it's accept wisdom that AI was Spielberg's tribute to Stanley Kubrick, but Minority just drips with the influence of its source material (Philip K. Dick) and Kubrick. It is 99% a science fiction masterpiece that is substantially ruined by that last 1%.

To understand why we must remember the premise of the film. Three psychics (pre-cogs) can predict murder. All three must agree for a prediction to be reported and recorded. The Pre-Crime cops can then swoop in and arrest the "bad guy" before he/she can be bad. The plot is driven when the head of Pre-Crime, Anderton (played by Tom Cruise), is predicted to commit a murder. He is then on the run and pursued by his own team.

This is all well and good. The film offers one of the greatest images of the near-future since, oh, Blade Runner. It is, for the most part, internally consistent and all of the gadgets flow from present day. It all feels real and workable. It's beautiful.

Minority Report also offers so many disturbing tidbits. For instance, we are arguing today about facial recognition software, yet in MP, everyone is retina scanned (and ID'd) everywhere. It is a sense of all-pervading surveillance which would make the blood of modern privacy advocates curdle. Here, it's casually tossed off, albeit necessary for the plot (as written).

MP falls apart at the every end, and if you haven't seen it and don't want to no, go away. It's been years, you've no excuse. Go buy/rent the DVD, then come back when you're ready.

At the end, Anderton confronts the real villain, saves the day, and even rescues the pre-cogs. Pre-Crime is shut down and there's a completely artificial feeling that due to the efforts of Tom Cruise & Wife(a babe, a beauty, an actress; especially liked her brief moment here), freedom once more walks the land.

Only, that's hogwash. Those eye scanners are still there. And now there is murder again. It's made clear in the film that murder has ceased in the area where Pre-Crime works. The question, in the film, is that since all three pre-cogs might not agree on a prediction, some "innocent" was probably arrested and "haloed" (thrown into some horrific suspended animation, presumably forever). To Anderton, and apparently the world, this is horrifying.

But for a film that just dripped reality and truth, this is a flagrant bit of crap. The system works. It predicted, and stopped, murder. They would never shut it down. Not ever. Dick recognized this because in his original short story, it was presumed there would be minority reports; a vote of two to one was sufficient for Pre-Crime to act. The story's plot is driven by the discovery that there was no agreement, there were in fact three different predictions.

No, in the film what needed to be corrected was the method of "punishment", not apprehension. Since the murders were prevented, why halo the non-offenders? Some might be in need of incarceration, but not all, or even most.

I re-imagine the end to Minority Report. It's all right up to when the big boss shoots himself. From there we get Cruise's voice over....

With the revelantion of minority reports, there was a cry to shut down Pre-Crime. But no one could doubt Pre-Crime's effectiveness. The reality was that there were no murders.

So instead, the politicians released all those who were haloed, choosing to keep them under observation for a time. They also reasoned that if they attempted to murder again, the pre-cogs would see. And warn.

As for Agnes and the other Pre-Cogs, they were returned to their living hell, not quite alive, not quite dead. We fight to free them, to undo the injustice society has done to them. For the true minority report is that a harm against one, is a harm against us all.

See, even though it's still a classic liberal spin ("better a hundred go free than an innocent man be put to death", etc.) it is more in keeping with the tone of the film. And the real horror of the film isn't that people are haloed, but that the three humans have been abused, i.e., the pre-cogs under that huge banner of "for the good of all!"

Now that would have been a great ending to a great film. But Spielberg went all touchy-feely at the end. And that's what I mean when I write about "a tacked on, total crock, happy ending that Spielberg would be proud of".

Transformers?

Why does this make me grin?

It's directed by Michael Bay, and he's not exactly the sharpest tool in the shed. However, his films have a certain enthusiastic exuberance that is...endearing. And The Island was actually a shock, being such a loud and profound anti-abortion analogy.

So maybe this will be...interesting. Maybe at least as entertaining as Armageddon. Is Steve Buscemi a Transformer? Now that would rock!